
While critics of MISA have accused the production of obscenity, objecting to certain intense and costume choices, the play’s cast, cultural figures and DYFI leaders have defended it as a powerful portrayal of 'state terror and political repression’
While critics of MISA have accused the production of obscenity, objecting to certain intense and costume choices, the play’s cast, cultural figures and DYFI leaders have defended it as a powerful portrayal of 'state terror and political repression’

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